Instruments are there, which ones create foreground, which are in theīackground, which ones talk to each other, or on top of each other and Language, white noise, everything in one piece. We first hear Tango music we hear wall of sound, like hearing a foreign Meanwhile lets focus on one other sense you poses: hearing the music. I totally believe you eventually will make IT do what YOU want, but first you need to regroup and regain your powers. You get angry!!!!!! Wait - this is MY body and it will do what I WANT! Walking backwards in 5” High Heel Stiletto Shoes maybe was not such a great idea after all. Tells you to take them off and… you are secretly grateful, because Supposed to be romantic dance? You love high heels, instead your teacher Like they don’t have 2 feet, but at least 5, and one of them is ALWAYS In front of you and… just dance… Instead, all of the sudden it seems Want to go straight forward, but your legs have quite different ideas You discover that you have no control over your own body. Instead - you discover quite a few things about… yourself.Ībout your partner too - but usually what you are discovering about yourself is much more surprising.
Learn all this sexy moves - no? You want to impress your partner? - WhatĪlmost everybody does!!!! You imagine all thisįeelings - like when you first fall in love - enchant you, put a magic Osvaldo Pugliese - " Seguime si podés" Ĥ7.You first come to Tango class - you might be surprised. Enrique Francini, Armando Pontier - " Derecho viejo" Ģ9. Carlos Di Sarli - " Bahía Blanca (2nd version)" Ģ2. Lucio Demare - " Milonguero viejo" 1954Ģ0. Alfredo De Angelis - " Nueve de julio" ġ8. One of them was Orquesta Tipica Dante Puricelli of which you can listen to "El pollo Ricardo" on YouTube.Īll comments on and the sharing of this playlist are appreciated.ĭJ Antti Suniala - 1950's Intrumental Tangoġ4. To name a few of my favorites to listen to of these songs - Lorenzo Barbero, Raúl Kaplun, Juan Polito, Mario Demarco and Di Sarli's less known second version of "Bahia blanca".Īs I said, not all the orchestras were available on Spotify. Still there are many highlights to this compilation and a lot of songs great to dance to or just listen to and appreciate the musicianship. Second, how far sometimes many of the orchestras were from capturing the essence of tango for dancing (not claiming that all of them tried to) especially when comparing to best of D'Arienzo, Di Sarli and songs like Biagi's "El recodo". First, the great amount of orchestras (with great musicians) recording in the 50's. The 1950's was ruled by D'Arienzo, Di Sarli, Troilo and Pugliese (in amount and quality of recordings), but I found many orchestras I had never heard of and I was fortunately able to find at least one song from most of them on Spotify. I looked for orchestras who recorded in the 1950's and had recorded instrumental tangos. Needless to say it is a very practical tool for every DJ and here is an example of how I put it to use.
The discographies have been compiled from various sources - rare unreleased or limited release discographies, different collections and publications as well as numerous online resources. The 800 page book compiles discographies of 148 orchestras with the essential information about singers and recording dates but also, which I find very interesting, who were the members of the orchestra for each time period and which companies the orchestra recorded for. Not only in size but in importance to many tango DJ's and collectors. The recently released "Encyclopedia of Tango" by Gabriel Valiente is a huge book.